Find what you are looking for

or search by

Topics

Article
Article

Article

e-Book
e-Book

e-Book

Video
Video

Video

Campaigns
Campaigns

Campaigns

Architecture
Compact Cameras

Compact Cameras

Architecture
DSLRs

DSLRs

Architecture
Videography

Videography

Architecture
Astrophotography

Astrophotography

Architecture
Mirrorless Cameras

Mirrorless Cameras

Architecture
Architecture Photography

Architecture Photography

Architecture
Canon Technologies

Canon Technologies

Architecture
Low Light Photography

Low Light Photography

Architecture
Photographer Interviews

Photographer Interviews

Architecture
Landscape Photography

Landscape Photography

Architecture
Macro Photography

Macro Photography

Architecture
Sports Photography

Sports Photography

Architecture
Travel Photography

Travel Photography

Architecture
Underwater Photography

Underwater Photography

Architecture
Photography Concepts & Application

Photography Concepts & Application

Architecture
Street Photography

Street Photography

Architecture
Full-Frame Mirrorless Cameras

Full-Frame Mirrorless Cameras

Architecture
Lenses & Accessories

Lenses & Accessories

Architecture
Nature & Wildlife Photography

Nature & Wildlife Photography

Architecture
Portrait Photography

Portrait Photography

Architecture
Night Photography

Night Photography

Architecture
Pet Photography

Pet Photography

Architecture
Printing Solutions

Printing Solutions

Architecture
Product Reviews

Product Reviews

Architecture
Wedding Photography

Wedding Photography

Tips & Tutorials >> All Tips & Tutorials

How Do I Effectively Use Foreground Bokeh on a Telephoto Lens?

2021-07-16
8
4.67 k
In this article:

Lovely bokeh is often associated with large aperture lenses, but it can also be easily achieved on a telephoto lens, even if your lens does not have a large maximum aperture. Two photographers share how to get the best results.  (Reported by: HARUKI, Digital Camera Magazine, Neo Ng)

 

1. Direct attention to a distant subject

EOS 5D Mark III/ EF70-300mm f/4-5.6L IS USM/ FL:244mm/ Aperture-priority AE (f/5.6, 1/1600 sec)/ ISO 100/ WB: Auto
Photo by: HARUKI

I was in the middle of a vast wheat field, and these wind turbines were about 150m away from me—so far away, they were practically in the background. To capture the wind turbines clearly despite the distance, I shot at 244mm, and set the focus on the wind turbines in the centre.

When things are very far away, the atmosphere makes them appear less clear—a phenomenon called atmospheric perspective, also known as aerial perspective. Simply zooming into such subjects with a telephoto lens may not be enough to make them stand out, like in this case.

Most of the time, we think about putting our focus on a subject in front and making the background out of focus to create a nice bokeh in the back that makes the subject pop. However, if there is an element in front of the subject, putting it out of focus to create foreground bokeh not only simplifies distracting foreground detail, but also helps to guide the eye deeper into the scene.

Hence, for this scene, I decided to blur out the wheat fields in the foreground.


Step 1: Use a telephoto lens

The distance of the subject necessitated a long focal length: 244mm in this case. As telephoto lenses naturally have a shallow depth of field, I got decent bokeh even at f/5.6, my maximum aperture at that focal length.


Step 2: Shoot from a low position and get close to the foreground subject

To make the most of the bokeh, I shot from a low position to incorporate more wheat into the frame, and then moved closer to the wheat so that the blurring would be more intense.

The result juxtaposes the wind turbines with the vast wheat field, with the wheat field drawing our eyes towards the wind turbines.

Learn about the factors that influence bokeh in:
Lens Basics #3: Creating Bokeh


Tip: The longer the closest focusing distance, the easier it is to create foreground bokeh

Telephoto lenses usually have a longer closest focusing distance compared to other lenses. This means that anything nearer will be out of focus by default—it’s like the lens version of long-sightedness! For example, on the EF70-300mm f/4-5.6L IS USM used for this shot, the closest focusing distance is 1.2m.

Note:
- On a telephoto zoom lens, depending on the lens design, the closest focusing distance might vary depending on the focal length. 
- Super telephoto prime lenses (300m and above) tend to have a longer closest focusing distance.

Related concept: Variable aperture lenses

 

2. Shoot in backlight to create shiny bokeh circles

EOS R6/ EF100-400mm f/4.5-5.6L IS II USM/ FL: 106mm/ Shutter-priority AE (f/5, 1/2000 sec, EV +1)/ ISO 200
Photo by: Neo Ng (@_neo_ng_ig)

Grass itself can be a fascinating foreground element. If the light conditions are right, you can transform a normal grass field into a sea of sparkles, which, in this shot, perfectly symbolises the youthful hope and energy of the young soccer player in this sports portrait.


Step 1: Shoot in backlight

Shooting in backlight is challenging, but every challenge is an opportunity! When backlight reflects off the individual blades of grass, they form point light sources that are perfect for creating shiny bokeh circles.


Step 2: Use spot metering, AE lock and exposure compensation

Spot metering and AE lock are a tested and proven technique for backlit shots. Add exposure simulation into the mix, and you get a powerful combination. Here, I exposed for my subject and then locked the exposure. Use exposure compensation to fine-tune the exposure as required—the best thing is being able to see the results in the Live View display or EVF!


Step 3: Shoot from a low position

To incorporate more grass into the shot, I shot from a low position and low angle—so low that my camera was almost on the ground. The grass right in front of my camera automatically became out of focus as they were nearer than the closest focusing distance, transforming into shiny bokeh circles. Telephoto perspective compression makes the bokeh circles look more tightly packed together, enhancing the effect.

With the Vari-angle LCD monitor on my EOS R6, I didn’t have to lie on my stomach on the dirt ground to see the shot.


Tip: You get even more bokeh when the grass is wet

My image was shot when the grass was dry. But if you shoot right after it rains, or when there is morning dew, the light reflecting off the water droplets on the grass will produce even more bokeh circles.


More telephoto lens techniques in:
Professional Composition Techniques (3): Making Good Use of Lenses
Creating a Captivating Scene with Telephoto Leading Lines
5 Things to Try with a Telephoto Lens

Also see:
Lens FAQ #7: What is the difference between a 200mm and 300mm telephoto lens?

 


Receive the latest update on photography news, tips and tricks.

Be part of the SNAPSHOT Community.

Sign Up Now!

About the Author

Digital Camera Magazine

A monthly magazine that believes that enjoyment of photography will increase the more one learns about camera functions. It delivers news on the latest cameras and features and regularly introduces various photography techniques.
Published by Impress Corporation

Haruki

Born in 1959 in Hiroshima, Haruki is a photographer and visual director. He graduated from the Faculty of Fine Arts, Kyushu Sangyo University, and is mainly engaged in activities related to portrait works for media including advertisements, magazines and music.

Neo Ng

Based in Hong Kong, former basketball coach Neo Ng is a freelance sports, pet and wildlife photographer who seeks to freeze and capture moments in action. The official photographer for various Hong Kong sports teams, he has collaborated with Nike Hong Kong Sports Marketing. In his free time, he can usually be found feeding his passion for wild bird photography. A frequent contributor to DC Fever, Hong Kong’s largest photography portal, Neo also conducts photography workshops and bird photography tours.

https://500px.com/neong
https://www.facebook.com/neongphotography/

Share your photos on My Canon Story & stand a chance to be featured on our social media platforms