Find what you are looking for

or search by

Topics

Article
Article

Article

e-Book
e-Book

e-Book

Video
Video

Video

Campaigns
Campaigns

Campaigns

Architecture
Compact Cameras

Compact Cameras

Architecture
DSLRs

DSLRs

Architecture
Videography

Videography

Architecture
Astrophotography

Astrophotography

Architecture
Mirrorless Cameras

Mirrorless Cameras

Architecture
Architecture Photography

Architecture Photography

Architecture
Canon Technologies

Canon Technologies

Architecture
Low Light Photography

Low Light Photography

Architecture
Photographer Interviews

Photographer Interviews

Architecture
Landscape Photography

Landscape Photography

Architecture
Macro Photography

Macro Photography

Architecture
Sports Photography

Sports Photography

Architecture
Travel Photography

Travel Photography

Architecture
Underwater Photography

Underwater Photography

Architecture
Photography Concepts & Application

Photography Concepts & Application

Architecture
Street Photography

Street Photography

Architecture
Full-Frame Mirrorless Cameras

Full-Frame Mirrorless Cameras

Architecture
Lenses & Accessories

Lenses & Accessories

Architecture
Nature & Wildlife Photography

Nature & Wildlife Photography

Architecture
Portrait Photography

Portrait Photography

Architecture
Night Photography

Night Photography

Architecture
Pet Photography

Pet Photography

Architecture
Printing Solutions

Printing Solutions

Architecture
Product Reviews

Product Reviews

Architecture
Wedding Photography

Wedding Photography

Tips & Tutorials >> All Tips & Tutorials

Capturing Breathtaking Landscapes Under Ever-Changing Lighting Conditions

2016-04-28
5
16.2 k
In this article:

It is a race against time for shoots in the early morning. Conditions of the light are ever-changing, and thus no mistakes are allowed. In the following, I will explain three key points for capturing the decisive moment: time, composition and angle of view. (Reported by: Michiko Kaneko)

Photo 1
EOS 5D Mark III/ EF24-105mm f/4L IS USM/ FL:47mm/ Aperture-priority AE (f/16, 1/20 sec., EV+0.3)/ ISO 400/ WB: Daylight

 

Magnificent Landscape Takes on Different Looks in the Early Morning

To capture the larch trees that turned yellow at the Odashirogahara marshland, which is located about 200km north of Tokyo in the northern Tochigi Prefecture, I started my shoot before sunrise. There is a white birch, known as “the lady of Odashirogahara”, that stands alone on the wetland. I positioned the tree at the centre, while featuring the white plain covered in frost and the golden larch trees that formed a “folding screen” in the background to capture the wide expanse of the land. I then waited for the sun to shine on them from an angle to create a glittering look.

The subjects take on a different look every single second, thus it is recommended that you spend at least two hours on the shoot. You can capture the Odashirogahara marshland from either a wide-angle or telephoto focal length, so it is best to bring along lenses that cover a wide focal length range.

For the shoot, I selected the Aperture-priority AE mode, and narrowed down the aperture to f/16 to capture the subjects in the image sharply. However, be careful not to narrow down the aperture excessively, as doing so may cause diffraction to occur, resulting in an image that lacks sharpness.

 

STEP 1: Time – Start the shoot before sunrise to capture the ever-changing looks

In the above shot, which was taken from the same location as Photo 1 but one hour earlier at 5:30 am, the marshland takes on a completely different look. The sun was rising from the other side of the mountains, with light of the morning glow reflected from the clouds, brightening the entire sky. Morning haze that appeared due to the drastic temperature change before sunrise added a fantastical feel to the image.

 

STEP2: Composition – Include both oblique light and shade for more contrast

I composed a shot with the white birch as the main subject, and adjusted the composition by emphasising the golden larch trees in the background and oblique light that was coming from the right. As we tend to be attracted to brighter objects, I included a shady area in the foreground to direct the viewer’s attention to the main subject.

 

STEP3: Angle of view – Change the secondary subject according to the size of the main subject

In Photo 1, I used a focal length of 47mm to capture a large number of elements. In contrast, with the focal length set to 200mm to capture a large view of the white birch, as illustrated above, I was able to bring out the sparkling frost that covered the trees. When determining the composition, you should take into consideration both the main and secondary subjects.

 

 

Michiko Kaneko

Born in Sendai, Miyagi Prefecture, Kaneko started to engage in photography activities after chancing upon a deeply inspiring shot in Okunikko in 1987. She studied under the late renowned photographer, Shotaro Akiyama, before setting up a photo studio and becoming a freelance photographer. Fascinated by the beautiful colours of nature, she travels around Japan in a car, to capturing soothing shots of landscapes in the different seasons as well as photos that feature both trains and landscapes. A member of Japan Professional Photographers Society (JPS) and Japan Society for Arts and History of Photography (JSAHP).

 

Digital Camera Magazine

A monthly magazine that believes that enjoyment of photography will increase the more one learns about camera functions. It delivers news on the latest cameras and features and regularly introduces various photography techniques.

Published by Impress Corporation

 

Share your photos on My Canon Story & stand a chance to be featured on our social media platforms