A cinema camera is a huge investment, but necessary to take your filmmaking to the next level. Choosing one that is Netflix-approved ensures the best reliability and flexibility to give voice to your creative needs. Learn about the different Netflix-approved Cinema EOS cameras in this article.

What does "Netflix-approved camera" mean?

First things first: What does “Netflix-approved camera” mean?

A “Netflix-approved” camera is one that Netflix has authorised to be used as a primary camera for its Netflix Originals. 90% of a programme’s final total runtime must be captured on such cameras.

Such cameras must pass stringent internal evaluation by Netflix’s technical experts before they can be included on the “approved” list, so you can expect a high level of performance and reliability to support your creative needs. So even if you don’t foresee shooting a Netflix Original production anytime soon, choosing a Netflix-approved camera still has its advantages. And you'll be well-equipped if and when the Netflix Original opportunity calls!

 

The minimum specifications for Netflix approval

While meeting the minimum specifications does not guarantee that a camera will be approved by Netflix, all approved cameras have at least the following attributes:

• A true 4K UHD image sensor (during non-anamorphic shooting), with at least 3840 photosites along the width
• At least 10-bit colour depth
• Uncompressed/lightly compressed RAW video recording OR intraframe compressed codec with subsampling of 4:2:2 or greater.
• Minimum data rate of 240Mbps at 24 fps
• Scene-referred colour space
• Scene-referred transfer function (Log recording)
• Dedicated timecode output

Cameras with these specifications are capable of recording in formats that retain an immense amount of colour detail with minimal quality loss even with extensive post-production work. They also enable a colour-managed workflow, where colours look accurate across various displays and delivery formats throughout post-production.

In addition, Netflix also evaluates the cameras for attributes such as:

• Dynamic range
• Form factor
• Workflow compatibility
• Stability

Find out more about how Netflix evaluates cameras in:
Approved Cameras – Behind the Scenes

 

Which Netflix-approved Cinema EOS camera to choose?

There are currently 10 Canon Cinema EOS cameras on Netflix’s approved list:

• EOS R5 C
• EOS C70
• EOS C80
• EOS C300 Mark II
• EOS C300 Mark III
• EOS C400
• EOS C500
• EOS C500 Mark II
• EOS C700
• EOS C700 FF

The cameras vary in terms of form factor, functionality, output capabilities, and budget.  You should be able to find something that works for you, whether you are looking for a smaller DSLR-like body for run-and-gun shoots or a modular system that can be expanded for large-scale productions.

Here are more details about six of the latest cameras.

Comparison tables: 6 Netflix-approved Canon cinema cameras

Comparison of key features

Features common to all 6 models include:

• 4-channel audio
• 5-axis digital image stabilization
• Touchscreen operations
• Support both PQ and HLG HDR recording gammas

Other key differences are as below:

Core features
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Lens mount	RF	RF	RF	EF/PL	RF	EF/PL
Maximum resolution	8K 60p	4K DCI 60p	6K 30p	4K DCI	6K 60p	5.9K 60p
RAW recording	8K 60p 5.9K 60p 2.9k 60p	4K DCI 60p 2K 60p	6K 30p 4.3K 60p	4K DCI 60p 2K 60p (cropped)	6K 60p Cropped: 4.3K 60p (Super 35) 2.1K 60p (Super 16)	Cropless: 5.9K 60p/4.1K 60p (4:3)/3.7K 60p (6:5) Cropped: 4K DCI 60p (Super 35) 2K 60p (Super 16 )
Sensor type	Full-frame CMOS	Super 35mm DGO	Full-frame BSI CMOS	Super 35mm DGO	Full-frame BSI CMOS	Full-frame
Processor	DIGIC X	DIGIC X	DIGIC DV7	DIGIC DV7	DIGIC DV7	DIGIC DV7
Video AF system	DPAF	DPAF	DPAF II	DPAF	DPAF II	DPAF

 

Dynamic range/Base ISO speeds
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Dynamic range	14+ stops	16+ stops	16 stops	16+ stops	16 stops	15+ stops
Base ISO (C-Log recording/RAW)	800 3200	800	800 3200 12800	800	800 3200 12800	800

 

Recording modes
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Canon Log modes	Canon Log 3	Canon Log 2 & 3	Canon Log 2 & 3	Canon Log 2 & 3	Canon Log 2 & 3	Canon Log 2 & 3
Internal recording formats	Cinema RAW light XF-AVC MP4	Cinema RAW Light XF-AVC MP4	Cinema RAW Light XF-AVC XF-AVC S XF-HEVC S	Cinema RAW Light XF-AVC	Cinema RAW Light XF-AVC XF-AVC S XF-HEVC S	Cinema RAW Light XF-AVC
Slow/fast motion	1-120p (4K, 2K)	12-120p (4K) 12-180p (2K)	1-120p (4K) 1-180p (2K)	12-120p (4K) 12-180p (2K)	1-120p (4K) 1-180p (2K)	12-120p (2K, cropped)

 

Lenses
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Anamorphic lens support	2x / 1.8x / 1.3x	2x / 1.3x	2x / 1.8x / 1.3x	2x / 1.8x / 1.3x	2x / 1.8x /1.5x/ 1.3x	2x / 1.8x / 1.3x
Lens terminal for Cine-Servo lenses	No	No	No	No (expansion unit required)	Yes	No (expansion unit required)
Lenses supported	RF EF*	RF EF*	RF EF* PL*	EF/PL**	RF EF* PL*	RF EF*

*Mount adapter required
** User changeable with mount change kit

 

Form factor/mechanical features
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Form factor	DSLR-like	DSLR-like	DSLR-like	Modular	Modular	Modular
Built-in ND filter	-	10 stops	10 stops	10 stops	10 stops	10 stops
Built-in EVF	Yes	-	-	-	-	-

 

Terminals and interfaces
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
12-G SDI output	No	No	Yes	Yes	Yes	Yes
MON. output	No	No	No	Yes	Yes	Yes
G-LOCK/SYNC	No	No	No	No (Expansion unit required)	Yes	No (Expansion unit required)
XLR input terminals	No	Yes (Mini)	Yes (Mini)	Yes (Full-sized)	Yes (Mini)	Yes (Full-sized)
Built-in Wi-FI	Yes 2.4GHz / 5GHz	No	Yes 2.4 GHz/ 5GHz	No	Yes 2.4 GHz/ 5GHz	No
Built-in ethernet terminal	No (WFT-R10 Wireless File Transmitter + Ethernet adapter required)	No (Ethernet adapter required)	Yes	No (Expansion unit required)	Yes	No (Expansion unit required)
Multifunction shoe	Yes (x1)	No	Yes (x2)	No	Yes (x2)	No

 

Others
	R5 C	C70	C80	C300 Mark III	C400	C500 Mark II
Card slots	CFexpress Type B x 1 SD UHS-II x 1	SD UHS-II x 2	SD UHS-II x 2	CFexpress Type B x 2 SD UHS-II x 1	CFexpress Type B x 1 SD UHS-II x 1	CFexpress Type B x 2 SD UHS-II x 1
Native batteries	LP-E6NH	BP-A30/BP-A60*	BP-A30N/BP-A60N	BP-A30/BP-A60*	BP-A30N/BP-A60N	BP-A30/BP-A60*

*Can also use BP-A30N/BP-A60N

1. EOS R5 C

1. The hybrid powerhouse: EOS R5 C

Considered Canon’s first true hybrid camera, the EOS R5 C is the most compact and lightweight in the Cinema EOS lineup and also its smallest cinema camera with a full-frame sensor. It shoots up to 8K 60p RAW internally, which provides future-proofing as well as extra post-production flexibility. On top of all that, it is also a powerful, 45-megapixel still photography camera, boasting the same performance as the EOS R5.

 

 

2. EOS C70

2. Compact versatility: EOS C70

The EOS C70 has many similarities with the EOS R5 C, including a DSLR-like form factor, the new RF lens mount, and Eye Detection AF and EOS iTR AF X subject tracking. However, it has a larger 16+-stop dynamic range due to the Dual Gain Output (DGO) technology used in its 4K Super 35mm image sensor, thus generating cleaner HDR output. It offers extensive options for simultaneous recording to its two SD cards. Audio recording at normal frame rates is possible during high frame rate 4K 120p recording.

 

 

3. EOS C80

3. A new generation of versatility: EOS C80

The EOS C80 packs even more into its portable DSLR-style form factor, offering a leap in capabilities over the EOS C70. It boasts a high-resolution 6K full-frame back-illuminated (BSI) stacked CMOS sensor that offers not only greater imaging possibilities but also a faster signal readout that minimises rolling shutter distortion; triple-base ISO for improved noise reduction; and the powerful new deep-learning-based Dual Pixel CMOS AF II autofocus system, which can detect and track subjects over approximately 100% x 100% of the image frame.

The addition of interfaces such as a new 12G-SDI output terminal, ethernet terminal, internal Wi-Fi and the new Multi-function shoe improve expandability and connectivity, making the cameras ready for diverse production workflows such as remote camera operation and virtual production.

Learn more about the EOS C80 in:
EOS C80: Redefining Versatility for the Modern Creator

 

4. EOS C300 Mark III

4. Taking filmmaking to a higher level: EOS C300 Mark III

Cinema cameras with a modular body system like the EOS C300 Mark III allow greater flexibility to configure the camera to your needs, scaling up or down as necessary. In its most basic configuration, the EOS C300 Mark III is compact enough for handheld shooting and can be easily rigged to a gimbal or drone. Optional extension units can be purchased for various production requirements such as live productions and multi-camera broadcasts.

 

 

5. EOS C400

5. Unlocking greater production possibilities: EOS C400

While the EOS C400 shares many features with the EOS C80, it adds advanced expandability that caters to broadcasting and high-budget productions, making it an excellent investment for filmmakers, creators, and production houses with bigger dreams. Its built-in Wi-Fi, ethernet terminal, and G-LOCK/SYNC terminal give it the best out-of-the-box connectivity out of the three modular camera systems on this list.

 

6. EOS C500 Mark II

6. Full frame, full flexibility: EOS C500 Mark II

For users who prefer an EF mount camera, the EOS C500 Mark II’s 5.9K full-frame sensor is the key difference that sets it apart from the EOS C300 Mark III. It is also currently the only Canon camera that Netflix has approved for anamorphic capture.

Get in touch to find out more about these cameras!