Which Camera Should I Pick to Shoot Travel Videos?
Whether it’s in the form of a travel vlog, documentary, or something more cinematic, creating travel videos lets you tell a story about your experiences in an immersive way not possible with other forms of expression. A dedicated camera provides better image quality especially when filming in low light places, and choosing the right one for you could unlock many more benefits. Here’s our guide to choosing the best camera for travel videos, as well as some camera recommendations.

Narrow down your needs: 2 simple questions to ask yourself
The features that you will want to look out for when you pick a camera depends on the kind of content you want to create. Here are two questions to consider.
- Will you be filming yourself?
Filming yourself is quite different from filming from behind the camera—even the way you hold the camera would be different. Vlogging-friendly cameras are designed for easier front operation. For example, the PowerShot V10 and EOS R50 V have “Record” buttons accessible from the front!
Also look for special modes like Smooth Skin Video mode (which works as the name suggests), and Digital IS mode, which provides enhanced image stabilisation for smoother walk-and-talk videos.
We recommend:
- PowerShot V10
- PowerShot V1
- R50 V
- What’s your travel video approach and audience?
If your videos are for multiple social media platforms, features like aspect markers will help you compose shots for easier editing. If your style is more cinematic and involves more post-production work such as colour grading, you will probably want a camera with Canon Log recording.
Your shooting style will also affect the gear that works best for you. For example, do you need something small and discreet that you can take anywhere for run and gun, spur of the moment footage? Or do you usually plan your visuals carefully down to the kind of lens to use? Would you also be using the same camera to shoot stills?
Our top recommended Canon cameras for travel videos are:
- PowerShot V10
- PowerShot V1
- EOS R50 V
- EOS R6 Mark II
The table below is a brief overview of their outstanding features. Read on or click into the links to learn more about each camera!
| Smallest and most portable | PowerShot V10 |
| Simplest operation | PowerShot V10 |
| Cameras with an integrated lens | PowerShot V10 PowerShot V1 |
| Dynamic range/low light capabilities (ranked) |
1. EOS R6 Mark II (full-frame) 2. EOS R50 V (APS-C) 3. PowerShot V1(1.4-type) 4. PowerShot V10 (1-inch) |
| Best for vlogging (Size and functionality) |
PowerShot V10 EOS R50 V PowerShot V1 |
| Best for vertical video | EOS R50 V |
| Best for professional video workflows | EOS R50 V EOS R6 Mark II |
| Notable slow/fast motion capabilities | EOS R6 Mark II (FHD 180p slow motion) EOS R50 V (FHD 120p with audio; fast motion) |
| Supports RAW video | EOS R6 Mark II (6K RAW via external recording) |
| Best workflow integration with Cinema EOS System | EOS R50 V |
| Dust- and drip-resistance | EOS R6 Mark II |
| Vari-angle LCD monitor | PowerShot V1 EOS R50 V EOS R6 Mark II |
| USB-C charging Wi-Fi/Bluetooth connectivity |
All cameras in this article |
Click here to skip to our Key Features Comparison Tables
1. PowerShot V10: Easy point and shoot vlogging

The PowerShot V10 provides the essentials of a vlogging camera within an innovative, ergonomic design that also happens to be tiny and discreet. Smaller than a traditional compact camera, it is made to be comfortable to hold for long periods of handheld selfie recording.
Even its 19mm full-frame equivalent lens was specially picked because it provides the optimal angle of view for selfie videos. Perfect for candid vlogs in the Disneyland crowd, or sharing the sights and sounds of your jeepney journey.

Want to showcase what’s for dinner but got no space for a tripod? Simply unfold the PowerShot V10’s integrated adjustable kickstand and place it on the table.

The PowerShot V10, PowerShot V1, and EOS R50 V have 14 Color Filters that change the vibe of your videos on the spot.
2. PowerShot V1: Portability + performance

If you like the idea of a simple, portable compact camera but prefer a little more creative control, choose the PowerShot V1. With its large 1.4-inch image sensor, which is bigger than the 1-inch sensor on most zoom lens compact cameras, you’ll get beautiful, high quality on to go footage of your travel stories, straight out of the camera: anytime, anywhere, whether you’re sharing sweeping views of Mount Fuji or doing a walkthrough of a gritty back alley.
Diversify your angles with the versatile 17-52mm equivalent ultra-wide-angle zoom lens and fully articulating LCD monitor. If colouring in the mood is your vibe, you can choose to either lock it in on the spot with one of the 14 Color Filters, or shoot in 10-bit Canon Log 3 and colour grade later.
PowerShot V1: Other notable features
- 22.3-megapixel 1.4-inch sensor
- Integrated zoom lens (Video: 17-52mm equivalent)
- 4K 60p (cropped); uncropped high-quality 4K 30p with 5.7K oversampling
- Dual Pixel CMOS AF II for PowerShot
- 3-stop ND filter (stills and video)
- Subject Tracking IS
- Built-in cooling fan
- Bundled windscreen
The PowerShot V1’s buttons are designed to allow easy one-handed operation whether you are behind the camera o in front of it. To toggle between videos and stills, simply flip of the Photo/Video switch! The familiar controls and menus make it the perfect secondary camera to your existing EOS R mirrorless camera or DSLR.
3. EOS R50 V: For the video native

If video is your native language, the innovative EOS R50 V has the best mix of features to realise your creative vision.
The settings and functions you want are within easy reach, with buttons and dials that give direct access to video functions and a vertical tripod mount for social media-friendly vertical shooting. Screw on your choice of lens and infuse your own flair into your dynamic adventures at Songkran or street food adventures in Seoul with a flip of the button, whether that means a cinematic look on the spot with Cinema View Mode, or the S&F mode’s slow/fast motion options.
With support for Canon Log 3, custom LUTs, and the Cinema EOS System’s Custom Pictures, as well as the industry-standard XF-AVC S and XF-HEVC S recording formats, it caters seamlessly to advanced production workflows. Perfect for elevating your content—whether it’s a cinematic travel montage, a new YouTube series, or your first branded travel documentary.
*Pictured with RF-S14-30mm f/4-6.3 IS STM PZ kit lens. Body-only option available. Availability of white model depends on region.
EOS R50 V: Other notable features
- 24.2-megapixel APS-C sensor
- Compatibility with over 40 RF/RF-S lenses
- 4K 60p (cropped); cropless high-quality 4K 30p oversampled from 6K
- FHD 120p with audio
- Up to 60x fast motion/5x slow motion
- Supports 4K 60p livestreaming, 4 different ways to livestream
- 4-channel audio recording
- 4 Custom White Balance modes
The EOS R50 V features a zoom lever for smooth power zooming with the RF-S14-30mm f/4-6.3 IS STM PZ kit lens—and any future similar lenses. The fast/slow zoom speeds are configurable up to 15 speed levels each.
You can also choose to use any of the over 50 RF/RF-S lenses and RF-mount cinema lenses, or EF-mount lenses with the EF-EOS R mount adapter. The EOS R50 V also supports the RF-S3.9mm f/3.5 STM Dual Fisheye for simple high quality 3D stereoscopic VR content creation.
Learn more about the differences between EOS R50 V and PowerShot V1 in:
EOS R50 V vs. PowerShot V1: How are They Different?
4. EOS R6 Mark II: Cinematography on the go

A full-frame camera like the EOS R6 Mark II unlocks a richer dynamic range and wide-angle possibilities that smaller sensors cannot match, paving the way for visuals that are both breathtaking and immersive. Dazzle your audience with the colours of Shinjuku made more cinematic with shallow focus effects; turn urban chaos into dramatic slow motion with High Frame Rate Full HD 180p. Flip the switch from “VIDEO” to “PHOTO” mode to unleash one of the EOS R system’s fastest, most powerful still photography cameras.
With RF24-105mm f/4L IS USM kit lens
The false colour overlay, also found on Cinema EOS cameras, provides visualisation of up to six different brightness levels.
Also see:
EOS R6 Mark II vs. EOS R8: Which to Choose?
Videography FAQ: False Colours, Waveform, and Zebras
Comparison of key video features
Basics
| V10 | V1 | R50 V | R6 Mark II | |
| Sensor | 1 inch | 1.4 inch | APS-C | Full-frame |
| Max resolution | 4K UHD 30p | 4K UHD 60p (cropped) Oversampled 4K 30p (uncropped) |
4K UHD 60p (uncropped) 10-bit 6K RAW (external) |
|
| Lens | Built-in fixed 19mm equiv. f/2.8 |
Built-in zoom 17-52mm equiv. f/2.8-4.5 |
Interchangeable lens (RF/RF-S mount) |
|
| EVF | - | - | - | ● |
| Image stabilisation | Digital | Lens Optical IS/ Digital |
Digital | In-Body IS/ Digital |
| Autofocus | Contrast AF | Dual Pixel CMOS AF II for PowerShot | Dual Pixel CMOS AF II | |
| Still shooting | JPEG only Basic features |
JPEG/ HEIF/ RAW Full still shooting features |
||
| Dimensions (approx.) (W x H x D) |
63.4×90×34.3mm | 118.3×68.0×52.5mm | 119.3×73.7×45.2mm | 138.4×98.4×88.4 mm |
| Weight (approx.*) |
211g | 426g | Black: 370g White: 373g |
670g |
| Batteries | Built-in | LP-E17 | LP-E17 | LP-E6NH/ LP-E6P |
*With batteries and memory card
Vlogging/Livestreaming features
| V10 | V1 | R50 V | R6 Mark II | |
| Smooth skin movie | ● | ● | ● | - |
| Movie IS mode | ● | ● | ● | - |
| Movie for Close-up Demo | - | ● | ● | - |
| UAC/UVC | ● | ● | ● | ● |
| Livestreaming support | ● | ● | ● | - |
| Live Switcher Mobile App | - | ●* | ● | - |
* Via custom RTMP through Camera Connect v. 3.4 and above. Instructions here.
Convenient/ creative modes and features
| V10 | V1 | R50 V | R6 Mark II | |
| 4K time lapse movies | - | ● | ● | ● |
| Color filters | ● | ● | ● | - |
| Movie creative filters | - | ● | - | ● |
| Slow motion mode* | - | FHD 120p | FHD 180p | |
| High frame rate with audio** | - | - | FHD 120p | - |
| Fast motion | - | ● | ● 1 fps/ S&F mode |
- |
| Movie pre-recording | - | - | - | ● |
| Built-in ND filter | ● | ● | - | - |
* Out of camera slow motion (Records with high frame rate, saves and plays back at a lower frame rate.)
**Records and outputs in high frame rate. Achieve slow motion video through post-processing.
For advanced workflows
| V10 | V1 | R50 V | R6 Mark II | |
| Canon Log 3 | - | ● | ● | ● |
| HDR video | - | ● PQ |
● PQ/ HLG |
● PQ |
| Custom Picture/LUT | - | - | ● | - |
| False colours | - | - | ● | ● |
| Zebra display | - | ● | ● | ● |
| Video format | Traditional MP4 (IPB) |
Traditional MP4 (IPB) |
XF-AVC S XF-HEVC S |
Traditional MP4 (IPB) |
Audio, connectivity, and interfaces
| V10 | V1 | R50 V | R6 Mark II | |
| Audio | AAC | LPCM 16-bit 2CH |
LPCM 24-bit 4CH |
LPCM 16-bit 2CH |
| Headphone terminal | - | ● | ● | ● |
| External microphone inputs | 3.5mm jack | 3.5mm jack 21-pin multi-function shoe |
||
| HDMI Out | Type D (Micro HDMI) |
|||
| Wi-Fi | 2.4GHz | 5GHz/2.4 GHz | ||
| SD UHS-II support | - | ● | ● | ● |
| Hot shoe | - | 21-pin multi-function shoe | ||
